
Ian Toner
THEATRE-GOERS like to reaffirm their own highbrow taste. Regardless of what’s happening on stage, interval banter typically features thoughtless questions like, “Don’t you love it?” Not so on Parnell Square these days. The Gate’s revival of a 1956 drama by British playwright John Osborne is a three-hour masterclass in misogyny. His work may now be... Read more »