Ian Toner
THEATRE-GOERS like to reaffirm their own highbrow taste. Regardless of what’s happening on stage, interval banter typically features thoughtless questions like, “Don’t you love it?” Not so on Parnell Square these days. The Gate’s revival of a 1956 drama by British playwright John Osborne is a three-hour masterclass in misogyny. His work may now be... Read more »
To access this content, you must be a Phoenix subscriber.
Get access to The Phoenix online for as low as €1.50 per week. Read all the regular online only Phoenix stories AND receive the packed digital edition every fortnight (25 per year). Great value for so many inside stories!
